In Stock
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$405.00
Product Description
Tools and scraps outside a shed caught in perfect disarray during a cold morning walk.
There is a quiet, organized chaos to this imagem, where the composition finds beauty in the "perfect disarray" of tools and scraps scattered outside a shed. It captures the stillness of a workspace at rest, where every rusted part and discarded component tells a story of labor and mechanics. It is gritty, tactile, and deeply atmospheric. This is a still life found in the real world.
Open edition with limited availability.
Developed & Hand Printed by Nice Film Club.
Signed by the artist and includes a Certificate of Authenticity.
Key Features
Title: Motor Repair
Artist: Leandro Miyasaka
Year: 2024
Open Edition
Framing (optional): Ebonized Wallnut
Face width 1 1/4", crafted in premium American hardwood
Lab Notes
Format: Silver Gelatin Print
Printed on: FUJIFILM Crystal Archive Digital Pro Type DPII Glossy
Camera: Nikon F
Lens: 50mm
Film: Delta 400
The silver halide chemistry reacts beautifully to the mix of materials, rendering the rough oxidation of the metal scraps against the dull matte of the ground with incredible specificity. The cold morning light is preserved in the cool color temperature of the shadows, while the metallic highlights retain a sharp, physical presence. The grain structure integrates seamlessly with the grit of the subject matter to give the image a raw, industrial weight that feels tangible on the paper.
Due to the hand-made nature of the printing process, minor color variations may occur.
Each order is prepared with the same attention as the work itself, carefully packed by our team to ensure safe arrival.
At Nice we stand behind the quality of all our products.
About
Leandro Miyasaka is a photographer drawn to the quiet, in-between moments that often slip past unnoticed. His practice is rooted in slowing down and paying close attention, letting instinct shape the way each frame comes together. Rather than seeking to explain, his images linger in a space of familiarity—like something remembered but just out of reach.
“The images aren’t meant to explain much; instead, they’re fragments of time, open to whatever the viewer might take from them.”
— Leandro Miyasaka
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